{"title":"$100-$200","description":null,"products":[{"product_id":"to-2026-006","title":"The Magellanic Clouds (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eWAKOSKI, Diane.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Magellanic Clouds.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIGNED LIMITED ISSUE — ONE OF 250 COPIES HANDBOUND BY EARLE GRAY, THIS NO. 155.\u003c\/strong\u003e Los Angeles: Black Sparrow Press, 1970.\u003c\/p\u003e\n\u003cp\u003eFirst edition, signed limited issue: one of 250 copies handbound in boards by Earle Gray, numbered and signed by the poet, this copy number 155 (the limitation number in red). Printed January 1970 in Santa Barbara by Noel Young for the Black Sparrow Press; design by Barbara Martin. Large octavo. 150 pp. Blue cloth spine with a cream paper label, illustrated paper-covered boards carrying Barbara Martin's cloud-painting design across both panels. Signed in black ink \"Diane Wakoski\" at the colophon. Very good; the blue cloth spine clean, the paper label bright and the lettering crisp.\u003c\/p\u003e\n\u003cp\u003eBlack Sparrow's first full-length collection by Diane Wakoski, gathering some fifty poems around the long title piece. The Magellanic clouds — the two satellite galaxies that orbit the Milky Way — give Wakoski a figure for the orbiting selves and absent lovers that drive the book: poems of longing, betrayal, and self-invention, written in the direct, incantatory, image-driven voice that became her signature. The collection belongs to the run of confessional, mythologizing work — composed between \u003cem\u003eInside the Blood Factory\u003c\/em\u003e (1968) and \u003cem\u003eThe Motorcycle Betrayal Poems\u003c\/em\u003e (1971) — that built her national reputation, fusing personal grievance and astronomical and elemental imagery into a sustained private mythology.\u003c\/p\u003e\n\u003cp\u003ePer the colophon, the book was issued in just two states — 1,000 copies in paper wrappers and this 250-copy issue handbound in illustrated boards by Earle Gray and signed by the poet — making the handbound state itself the deluxe production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-006\u003c\/p\u003e","brand":"Wakoski, Diane","offers":[{"title":"Very Good","offer_id":46459950760097,"sku":"TO-2026-006","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-006_01.jpg?v=1784612131"},{"product_id":"to-2026-007","title":"Homage to Mistress Bradstreet","description":"\u003cp\u003e\u003cstrong\u003eBERRYMAN, John.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHomage to Mistress Bradstreet.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING — WITH BEN SHAHN ILLUSTRATIONS, UNCLIPPED.\u003c\/strong\u003e New York: Farrar, Straus \u0026amp; Cudahy, 1956.\u003c\/p\u003e\n\u003cp\u003eOctavo. 57 pp, with the poet's notes. \"First printing, 1956\" stated on the copyright page (LC card 56-6168); published simultaneously in Canada by Ambassador Books. Pictorial paper-covered boards designed by Ben Shahn, brick-red cloth spine lettered in gilt, in the matching Shahn-designed dust jacket, $3.75 price intact and unclipped on the front flap. Book very good-plus: the Shahn board design crisp on both panels, light spotting at the head edge, the gilt spine lettering rubbed but fully legible, binding tight and square, internally clean and unmarked. Dust jacket very good — unclipped and intact, the Shahn front-panel design clean.\u003c\/p\u003e\n\u003cp\u003eThe book that made Berryman's name. Written over five years between 1948 and 1953 and first published in \u003cem\u003ePartisan Review\u003c\/em\u003e in 1953 before Farrar, Straus \u0026amp; Cudahy issued it in book form in 1956, the poem is a sustained imagined dialogue with the seventeenth-century Puritan poet Anne Bradstreet — a meditation on creative repression, religious doubt, and temptation, set against a close grasp of early American history.\u003c\/p\u003e\n\u003cp\u003eThe Ben Shahn collaboration is the second great feature of the first edition. Shahn (1898–1969), the Lithuanian-born American social-realist painter and graphic artist, was at the height of his reputation in 1956. For this book he designed not only the text illustrations but the jacket and the boards — bold black line drawings of a Puritan-era timber house and bare winter trees against a cream ground with a red title panel — so that text and image read as a single composition. Copies with the Shahn pictures intact are collected by Berryman and Shahn enthusiasts alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-007\u003c\/p\u003e","brand":"Berryman, John","offers":[{"title":"Very Good","offer_id":46459950792865,"sku":"TO-2026-007","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-007_01.jpg?v=1784612476"},{"product_id":"to-2026-009","title":"Once There Was a War","description":"\u003cp\u003e\u003cstrong\u003eSTEINBECK, John.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOnce There Was a War.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING.\u003c\/strong\u003e New York: The Viking Press, 1958.\u003c\/p\u003e\n\u003cp\u003eOctavo. xxi, [3], 233 pp. Quarter taupe cloth spine stamped in red over brown paper boards, top edge stained red; in the original first-issue dust jacket, $3.95 price intact and unclipped to the front flap, the jacket illustration by Don Freeman. Goldstone \u0026amp; Payne A37a. Book very good — square and tight, cloth and boards clean, text block crisp and unmarked, the top stain bright, with bumped corner tips and a slight forward lean. Dust jacket good-plus — the spine sunned and toned (lettering dimmed but legible), light edge wear, the front and rear panels bright with colors intact, no chips or tears; in a mylar sleeve.\u003c\/p\u003e\n\u003cp\u003eSteinbeck's collected wartime journalism. From June through December 1943 he filed dispatches for the New York Herald Tribune from England during the Blitz, from North Africa, and from Sicily and Italy — written not from the battle lines but from troopships, London pubs, and behind-the-lines quarters, among paratroopers and bomber crews. He gathered the pieces in 1958 with a new introduction that looks back on the whole project as a kind of fairy tale grown impossibly distant from the atomic-age present.\u003c\/p\u003e\n\u003cp\u003eThe Don Freeman dust jacket — Freeman is better known for \u003cem\u003eCorduroy\u003c\/em\u003e and his New York theater drawings — captures soldiers crowded around a pub table in his loose, affectionate line. A handsome copy; the unclipped $3.95 price on the front flap is the key first-issue point.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-009\u003c\/p\u003e","brand":"Steinbeck, John","offers":[{"title":"Very Good","offer_id":46459950858401,"sku":"TO-2026-009","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-009_01.jpg?v=1785778196"},{"product_id":"to-2026-010","title":"Before the Brave","description":"\u003cp\u003e\u003cstrong\u003ePATCHEN, Kenneth.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBefore the Brave.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION — WITH THE PUBLISHER'S PREPUBLICATION REVIEW SLIP.\u003c\/strong\u003e New York: Random House, 1936.\u003c\/p\u003e\n\u003cp\u003eOctavo. Original cream cloth printed in red over boards; in the original cream dust jacket printed in red, $2.00 price on the front flap, unclipped. Copyright 1936 by The Modern Library, Inc. (Random House's corporate imprint); manufactured at the Walpole Printing Office, Mount Vernon, New York. Dedication: \"For Miriam.\" Laid in is the publisher's prepublication review slip, headed \"Review Copy from Random House · 20 East 57 Street · N.Y.,\" giving the title, author, date of publication (January 27, 1936), and price ($2.00), and describing Patchen as a \"proletarian poet\" in the company of Stephen Spender, W. H. Auden, and C. Day Lewis. Book very good, square and tight, the text block clean and the internal hinges sound; dust jacket complete and unclipped, the $2.00 price intact.\u003c\/p\u003e\n\u003cp\u003ePatchen's first book — the debut of the Niles, Ohio steelworker's son who would become, alongside Kenneth Rexroth, a foundational figure of the San Francisco Renaissance and a major influence on the Beat Generation. \u003cem\u003eBefore the Brave\u003c\/em\u003e is a politically charged Depression-era debut: angry, declamatory poems of social protest that call for collective awakening and rail against capitalism, war, and injustice, written in the urgent left-wing idiom of the 1930s. The presence of the review slip makes this a documented prepublication state, uncommon for the first book of a significant American poet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-010\u003c\/p\u003e","brand":"Patchen, Kenneth","offers":[{"title":"Very Good","offer_id":46459950891169,"sku":"TO-2026-010","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-010_01.jpg?v=1785778857"},{"product_id":"to-2026-015","title":"The Entailed Hat","description":"\u003cp\u003e\u003cstrong\u003eTOWNSEND, George Alfred (\"Gath\").\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Entailed Hat; or, Patty Cannon's Times. A Romance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTEACKLE MANSION EDITION — ONE OF 500 COPIES, THIS NO. 475.\u003c\/strong\u003e New York and London: Harper \u0026amp; Brothers, 1912.\u003c\/p\u003e\n\u003cp\u003eOctavo. Dark blue cloth, gilt lettering and rules to the spine (\"THE ENTAILED HAT,\" with \"GATH\" at the foot and \"HARPERS\" at the base). First published by Harper \u0026amp; Brothers in 1884; this is the privately financed 1912 limited reissue, the \"Teackle Mansion Edition,\" produced to preserve the novel to the Del-Mar-Va Peninsula per the limitation statement. Copyright 1884 by Harper \u0026amp; Brothers and 1912 by George Alfred Townsend. Inscribed in ink to the front free endpaper, \"To Ethel Nicholson, an \/ Angel if ever there was \/ one. With Love. \/ Georgie\" — a period gift inscription, not in the author's hand (Townsend signed as \"Geo. Alfred Townsend\" or \"Gath\"). Good to very good: the dark blue cloth complete, the spine gilt legible; pages clean and unmarked apart from the inscription; no dust jacket.\u003c\/p\u003e\n\u003cp\u003eGeorge Alfred Townsend (1841–1914) reported the Civil War and the aftermath of the Lincoln assassination under the byline \"Gath\" — his initials G.A.T. plus an H, after II Samuel 1:20 — and drew this novel from the country of his Delaware boyhood. Its Patty Cannon was the historical leader, with her son-in-law Joseph Johnson, of an early-nineteenth-century gang operating along the Maryland–Delaware line from Johnson's Cross Roads (now Reliance). The gang abducted free Black people and fugitives and trafficked them south into slavery — what historians call the Reverse Underground Railroad. Cannon was indicted for murder in 1829 and died in jail awaiting trial.\u003c\/p\u003e\n\u003cp\u003eRooted in the Eastern Shore landscape Townsend knew firsthand, and peopled with characters drawn from local memory, \u003cem\u003eThe Entailed Hat\u003c\/em\u003e is the major nineteenth-century literary treatment of this difficult and still-understudied chapter of American history. Its setting includes the real Teackle Mansion in Princess Anne, Maryland, for which this 1912 limited edition is named. A solid, attractive copy of an uncommon limited issue.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-015\u003c\/p\u003e","brand":"Townsend, George Alfred","offers":[{"title":"Very Good","offer_id":46459951022241,"sku":"TO-2026-015","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-015_01.jpg?v=1783744972"},{"product_id":"to-2026-042","title":"Big Table 3 (VOLUME 1, NUMBER 3, SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eGINSBERG, Allen\u003c\/strong\u003e \u003cstrong\u003e(and others).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBig Table 3. Volume 1, Number 3.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, SIGNED BY ALLEN GINSBERG.\u003c\/strong\u003e Chicago: Big Table, Inc., 1959. Edited by Paul Carroll.\u003c\/p\u003e\n\u003cp\u003eOctavo. 120 pp. Sewn signatures in stiff cream pictorial wrappers, the cover photograph by Aaron Siskind. Signed by Allen Ginsberg in ink on page 7, at the opening of his contribution. General soiling to the wrappers, else a near fine copy.\u003c\/p\u003e\n\u003cp\u003eThe third issue of \u003cem\u003eBig Table\u003c\/em\u003e — the Chicago little magazine founded in 1959 by Irving Rosenthal and Paul Carroll after the University of Chicago suppressed the Winter 1959 \u003cem\u003eChicago Review\u003c\/em\u003e over its planned Beat content. \u003cem\u003eBig Table 3\u003c\/em\u003e carries an early periodical printing of Allen Ginsberg's \"Kaddish,\" the long elegy for his mother Naomi, which appeared complete only in 1961 as \u003cem\u003eKaddish and Other Poems\u003c\/em\u003e from City Lights. The issue is a roll-call of the period: alongside Ginsberg are John Rechy's \"The Fabulous Wedding of Miss Destiny,\" Robert Duncan, John Ashbery, Edward Dahlberg, Robert Creeley, James Wright, Norman Mailer, Paul Blackburn, Edward Dorn, Peter Orlovsky, Lawrence Ferlinghetti's \"Her,\" and an excerpt from Jean Genet.\u003c\/p\u003e\n\u003cp\u003eSigned by Ginsberg on the page where his own work begins, the copy joins the documentary record of one of the most consequential little magazines in postwar American letters — a publication born of a censorship fight and central to the public emergence of the Beat writers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-042\u003c\/p\u003e","brand":"Ginsberg, Allen","offers":[{"title":"Very Good","offer_id":46459951841441,"sku":"TO-2026-042","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-042_01.jpg?v=1784609004"},{"product_id":"to-2026-044","title":"Ghost Tantras (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eMcCLURE, Michael.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGhost Tantras.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, SIGNED.\u003c\/strong\u003e San Francisco: self-published by the author; distributed by City Lights Books, 1964.\u003c\/p\u003e\n\u003cp\u003eOctavo. 106 pp. Black-and-white photo-illustrated wrappers, $1.50 on the rear cover. Signed by Michael McClure on the title page. A near fine copy, with light wear to the extremities.\u003c\/p\u003e\n\u003cp\u003eMichael McClure's \u003cem\u003eGhost Tantras\u003c\/em\u003e is the experimental volume of \"beast language\" poems — a mix of lyrical, guttural, and laryngeal sound, lion roars and growls and preverbal utterance. McClure famously read the Tantras to the lions at the San Francisco Zoo, an event captured on film and now a primary document of mid-1960s San Francisco poetry performance; the rear cover instructs the reader to \"READ ALOUD AND SING THEM.\"\u003c\/p\u003e\n\u003cp\u003eHis self-published \u003cem\u003eGhost Tantras\u003c\/em\u003e in 1964 remains out of print for decades and is among his best-known and least-available books.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-044\u003c\/p\u003e","brand":"McClure, Michael","offers":[{"title":"Near Fine","offer_id":46459951906977,"sku":"TO-2026-044","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-044_01.jpg?v=1783744702"},{"product_id":"to-2026-048","title":"John Steinbeck's Re-Vision of America","description":"\u003cp\u003e\u003cstrong\u003eOWENS, Louis. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Steinbeck's Re-Vision of America.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e. Athens: The University of Georgia Press, 1985.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAn intelligent and presentable study, and a notable first book from a writer who became one of the most important Native American voices of his generation. \u003cmeta charset=\"utf-8\"\u003e8vo. xiii, 225 pp., with bibliography and index. Rust-colored cloth, blind-stamped with a sun device on the front board and lettered in black on the spine, in the original yellow dust jacket with black device and lettering. A near fine copy in a very good jacket, now in a protective mylar cover.\u003c\/p\u003e\n\u003cp\u003eThe first book by Louis Owens (1948–2002) — the Choctaw-Cherokee novelist and critic later known for \u003cem\u003eThe Sharpest Sight\u003c\/em\u003e, \u003cem\u003eBone Game\u003c\/em\u003e, and the landmark study \u003cem\u003eOther Destinies\u003c\/em\u003e — written years before he turned to fiction. Owens reads Steinbeck's California as a fallen Eden, examining how the writer used that would-be paradise to expose the moral bankruptcy beneath the American dream.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-048 \u003c\/p\u003e","brand":"Owens, Louis","offers":[{"title":"Near Fine","offer_id":46459952038049,"sku":"TO-2026-048","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-048_01.jpg?v=1785776929"},{"product_id":"to-2026-051","title":"Not Now but Now (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eFISHER, M. F. K. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot Now but Now.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSan Francisco: North Point Press, 1982 — the North Point edition (first published by Viking, 1947), with Fisher's afterword.\u003c\/p\u003e\n\u003cp\u003e8vo. 256 pp. Original color-printed wrappers in the color-printed dust jacket. A fine copy. Paperback.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eInscribed by the author on the half-title, \"All best — M.F.K. Fisher,\" dated 1987.\u003c\/p\u003e\n\u003cp\u003eM.F.K. Fisher's only novel — the story of Jennie, a willful wandering woman who moves through four eras and settings (San Francisco, Chicago, Lausanne, Paris), the structure explained in Fisher's 1982 afterword.\u003c\/p\u003e\n\u003cp\u003eSigned Fisher copies are sought by collectors of California food and literary writing. Fisher (1908–1992), author of \u003cem\u003eHow to Cook a Wolf\u003c\/em\u003e, \u003cem\u003eConsider the Oyster\u003c\/em\u003e, and \u003cem\u003eThe Gastronomical Me\u003c\/em\u003e, is one of the central figures in twentieth-century American food writing.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-051 \u003c\/p\u003e","brand":"Fisher, M.F.K.","offers":[{"title":"Fine","offer_id":46459952169121,"sku":"TO-2026-051","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-051_01.jpg?v=1783745064"},{"product_id":"to-2026-058","title":"The Children Sing in the Far West","description":"\u003cp\u003e\u003cstrong\u003eAUSTIN, Mary. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Children Sing in the Far West: Poems for Children.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e. Boston and New York: Houghton Mifflin Company, 1928.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSmall 8vo. 188 pp. With drawings by Gerald Cassidy. Red pictorial boards in the publisher's illustrated dust jacket. A near fine copy in a near fine jacket.\u003c\/p\u003e\n\u003cp\u003eA gathering of Mary Austin's poems for children, drawn, as she explains in her preface, from nearly forty years of writing — many of the verses first appearing across decades in \u003cem\u003eSt. Nicholas\u003c\/em\u003e, \u003cem\u003eThe Youth's Companion\u003c\/em\u003e, \u003cem\u003eThe Nation\u003c\/em\u003e, \u003cem\u003eThe Forum\u003c\/em\u003e, and other magazines. Austin writes that she made most of the poems \"with the help of the children in my school,\" and that doing so led her \"into the secret of how the great Southwest feels.\" The drawings are by Gerald Cassidy (1879–1934), the Santa Fe painter known for his Southwestern subjects. \u003cem\u003eThe Children Sing in the Far West\u003c\/em\u003e, published late in her life, is less often collected than that book but belongs on any full Austin shelf — particularly in the original jacket.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-058 \u003c\/p\u003e","brand":"Austin, Mary","offers":[{"title":"Near Fine","offer_id":46459952398497,"sku":"TO-2026-058","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-058_01.jpg?v=1783703229"},{"product_id":"to-2026-059","title":"Garrapata (INSCRIBED)","description":"\u003cp\u003e\u003cstrong\u003eCLOUTIER, David. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarrapata.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, one of only 75 copies, issued as number 42 of the tel-let series. Charleston, IL: tel-let, 1995.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA scarce production at 75 copies, seldom seen in the trade, here inscribed by Cloutier. \u003cmeta charset=\"utf-8\"\u003eA single poem printed on 17 unnumbered leaves, recto only, in a tall narrow format (11 × 4¼ inches); pale green wrappers. A near fine copy.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eInscribed by the poet on the title page: \"For Elizabeth, with good wishes — David Cloutier.\"\u003c\/p\u003e\n\u003cp\u003eCloutier's poem takes its title from Garrapata, the stretch of coast about seven miles south of Carmel along Highway 1, now Garrapata State Park, where coastal bluffs and scrub give way to redwood groves running down toward the sea. It is country Edward Weston knew well; he lived nearby and photographed in and around what is now the park. The poem opens under an epigraph from Robert Duncan, placing this coastal meditation in the lineage of San Francisco Renaissance poetry. The tall, narrow page answers its subject — the vertical drop of cliff to water — and the spare recto-only printing gives each passage room.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-059 \u003c\/p\u003e","brand":"Cloutier, David","offers":[{"title":"Near Fine","offer_id":46459952431265,"sku":"TO-2026-059","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-059_01.jpg?v=1784609774"},{"product_id":"to-2026-066","title":"Four Ghost Stories","description":"\u003cp\u003e\u003cstrong\u003eGERSTLE, Sara. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Ghost Stories.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, one of 150 copies, this copy hand-numbered 106. San Francisco: Adrian Wilson, Printer at the Sign of the Interplayers, 1951.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e29 pp. Purple wrappers with a white ghost-pattern design. Light fading to the wrappers, else fine. Paperback.\u003c\/p\u003e\n\u003cp\u003eA San Francisco fine-press production by Adrian Wilson (1923–1988), one of the most admired American book designers of the twentieth century — author of the standard reference \u003cem\u003eThe Design of Books\u003c\/em\u003e (1967) and, in 1983, a recipient of a MacArthur Fellowship. This is early work, printed under his \"At the Sign of the Interplayers\" imprint, years before he established his permanent press at One Tuscany Alley in 1959. An attractive connoisseur's piece for a collection of California fine printing. The companion volume, Gerstle's \u003cem\u003eThree Houses\u003c\/em\u003e (1952) — same author, same printer, same 150-copy limitation — is also available.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-066\u003cbr\u003e\u003c\/p\u003e","brand":"Gerstle, Sara","offers":[{"title":"Fine","offer_id":46459952660641,"sku":"TO-2026-066","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-066_01_ccda1710-a0f2-4623-8888-78a82d242aec.jpg?v=1784612696"},{"product_id":"to-2026-067","title":"Three Houses","description":"\u003cp\u003e\u003cstrong\u003eGERSTLE, Sara. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Houses.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, one of 150 copies, this copy hand-numbered 140. San Francisco: Adrian Wilson, Printer at the Sign of the Interplayers, 1952.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e28 pp. Issued in teal wrappers with a white line-drawn Victorian house. Slight fading, else a fine copy. Paperback.\u003c\/p\u003e\n\u003cp\u003eA San Francisco fine-press production by Adrian Wilson (1923–1988), one of the most admired American book designers of the twentieth century — author of the standard reference \u003cem\u003eThe Design of Books\u003c\/em\u003e (1967) and, in 1983, a recipient of a MacArthur Fellowship. This is early work, printed under his \"At the Sign of the Interplayers\" imprint, years before he established his permanent press at One Tuscany Alley in 1959. An attractive connoisseur's piece for a collection of California fine printing. The companion volume, Gerstle's \u003cem\u003eFour Ghost Stories\u003c\/em\u003e (1951) — same author, same printer, same 150-copy limitation — is also available.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-067\u003c\/p\u003e","brand":"Gerstle, Sara","offers":[{"title":"Fine","offer_id":46459952693409,"sku":"TO-2026-067","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-067_01.jpg?v=1784612600"},{"product_id":"to-2026-070","title":"The Eggshell Season: A Letter from Monterey","description":"\u003cp\u003e\u003cstrong\u003eGARNER, William R. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Eggshell Season: A Letter from Monterey.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMonterey, California: Privately Printed, 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA miniature book, approximately 3 × 2³⁄₁₆ inches, 7 pp., hand-set in Bookman type and printed in a limited edition of 100 copies by Roger R. Hilleary. Issued with its original envelope.\u003c\/p\u003e\n\u003cp\u003eThe text reproduces a letter written from Monterey by William R. Garner — the English expatriate who served as secretary to Walter Colton, the first U.S. alcalde of Monterey — first published in the Philadelphia \u003cem\u003eNorth American\u003c\/em\u003e on December 7, 1846. Garner's 1846–47 letters are among the most vivid and reliable firsthand accounts of California life in the years just before the Gold Rush; Colton himself drew on them for his own \u003cem\u003eThree Years in California\u003c\/em\u003e (1850). The original envelope makes a fitting presentation for a text that is itself a letter — a charming small-press production with a genuine double appeal: to collectors of Monterey and early-California history, and to the dedicated miniature-book collecting community.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-070\u003c\/p\u003e","brand":"Garner, William R.","offers":[{"title":"Very Good","offer_id":46459952791713,"sku":"TO-2026-070","price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-070_01.jpg?v=1784604612"},{"product_id":"to-2026-074","title":"Correspondance 1909-1951","description":"\u003cp\u003e\u003cstrong\u003eGIDE, André; ROUVEYRE, André. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrespondance 1909–1951.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, the limited issue: number 19 of a hand-numbered edition of 90 copies — one of the first 30 on Hollande de Montévrain paper, the choicer of the two numbered states. Paris: Mercure de France, 1967.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e283, [4] pp. Edited, introduced, and annotated by the Gide scholar Claude Martin. Handsomely bound in contemporary three-quarter orange morocco over marbled boards, with raised bands, gilt ruling and lettering to the spine, marbled endpapers, top edge gilt, and the original printed wrappers bound in. A fine copy in a striking binding.\u003c\/p\u003e\n\u003cp\u003eThe published correspondence between André Gide and André Rouveyre. Rouveyre (1879–1962) was a French writer and caricaturist, a friend and correspondent of Gide and a celebrated portrait subject of Matisse and Modigliani; the volume includes a Rouveyre self-portrait. A refined French primary source for any collection of twentieth-century literary correspondence. Gide (1869–1951) received the Nobel Prize in Literature in 1947.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-074\u003c\/p\u003e","brand":"Gide, Andre","offers":[{"title":"Fine","offer_id":46459952922785,"sku":"TO-2026-074","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-074_01.jpg?v=1785774545"},{"product_id":"to-2026-077","title":"Kayak (6 issues)","description":"\u003cp\u003e\u003cstrong\u003eHITCHCOCK, George (editor). \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKayak — Six Issues (Nos. 23, 24, 25, 35, 38, 42).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSix issues: Numbers 23, 24, 25, 35, 38, and 42.\u003c\/strong\u003e Santa Cruz, California: Kayak Books, circa 1969–1976.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAll six in the publisher's illustrated stapled wrappers, very good, with light toning and shelf wear consistent with the magazine's inexpensive original production.\u003c\/p\u003e\n\u003cp\u003eSix issues of \u003cem\u003eKayak\u003c\/em\u003e — the fiercely independent poetry magazine that George Hitchcock edited, printed, and published very nearly single-handedly from 1964 to 1984. Across its 64 issues, \u003cem\u003eKayak\u003c\/em\u003e was, for much of its life, the magazine American poets most wanted to appear in: hospitable to surrealist, imagist, and political work, devoted to the prose poem, the found poem, and translation, and instantly recognizable for its covers built from repurposed nineteenth-century engravings. Contributors over the magazine's run included Robert Bly, W. S. Merwin, Anne Sexton, Philip Levine, Louis Simpson, Diane Wakoski, Michael McClure, Margaret Atwood, Raymond Carver, Gary Snyder, and James Tate, among many others.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-077\u003cbr\u003e\u003c\/p\u003e","brand":"Hitchcock, George","offers":[{"title":"Very Good","offer_id":46459953053857,"sku":"TO-2026-077","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-077_01.jpg?v=1785811410"},{"product_id":"to-2026-079","title":"Wrong Songs (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eTATE, James. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWrong Songs.\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, one of 200 numbered copies signed by the author — this No. 97. Cambridge, Massachusetts: Halty Ferguson, 1970.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e27, [1] pp. Printed on Fabriano paper in Palatino type, bound in Japanese grasscloth boards with a printed paper spine label; designed and printed at the Ferguson Press, July 1970. The edition was limited to 200 numbered copies, all signed, of which only 150 were offered for sale. Signed by Tate on the limitation page. A near fine copy in the original blue dust jacket, with slight fading to the spine and a short closed tear to the upper front edge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWrong Songs\u003c\/em\u003e belongs to the remarkably prolific early-1970s period that followed: a slim chapbook gathering three poems — \"The Distant Orgasm,\" \"Breathing,\" and \"Two-Hundred-and-One\" — brief vignettes of grief, pleasure, and presence in the wry, surreal, quietly heartbreaking voice that became Tate's signature.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-079\u003c\/p\u003e","brand":"Tate, James","offers":[{"title":"Near Fine","offer_id":46459953152161,"sku":"TO-2026-079","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-079_01.jpg?v=1784609669"},{"product_id":"to-2026-092","title":"Sails and Mirage and Other Poems","description":"\u003cp\u003e\u003cstrong\u003eSTERLING, George.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSails and Mirage and Other Poems.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e San Francisco: A. M. Robertson, 1921.\u003c\/p\u003e\n\u003cp\u003e12mo. 119 pp. Green cloth elaborately blind-stamped with a spider-web design, titled in gilt; in the original browned glassine dust wrapper, itself printed with a spider-web design. A fine copy, with the tiniest foxing to the fore-edge, the fragile glassine with shallow chipping to the edges. BAL 18797; Mattila A25.\u003c\/p\u003e\n\u003cp\u003eGeorge Sterling (1869–1926) was the central figure of California's literary world in the first quarter of the twentieth century — a presiding poet of the San Francisco bohemia and the founder, at Carmel-by-the-Sea, of the artists' and writers' colony that drew Jack London, Mary Austin, and a generation of West Coast writers. \u003cem\u003eSails and Mirage\u003c\/em\u003e gathers the poems of his maturity, among them \"Spring in Carmel\" and \"The Passing of Bierce,\" his elegy for his mentor Ambrose Bierce.\u003c\/p\u003e\n\u003cp\u003eThe volume is dedicated to Albert M. Bender, the San Francisco insurance broker, art patron, and book collector who was one of the most important supporters of the arts in California in this period. The original glassine wrapper is the uncommon feature here: fragile by nature, it has been lost from the great majority of surviving copies of Robertson's Sterling first editions. To find one present, with its spider-web design intact and the book itself fine, is unusual.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-092\u003c\/p\u003e","brand":"Sterling, George","offers":[{"title":"Fine","offer_id":46459953840289,"sku":"TO-2026-092","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-092_01.jpg?v=1784613168"},{"product_id":"to-2026-095","title":"Birthright: A Novel","description":"\u003cp\u003e\u003cstrong\u003eSTRIBLING, T. S.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBirthright: A Novel.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e New York: The Century Co., 1922.\u003c\/p\u003e\n\u003cp\u003e8vo. 309 pp. Illustrated by F. Luis Mora. Original red cloth, lettered in black on the front board and spine. Dedicated \"To my mother Amelia Waits Stribling.\" Near fine, with slight fading to the spine and a small ink mark to the upper page edge; the cloth bright and the binding tight.\u003c\/p\u003e\n\u003cp\u003eSet in the fictional town of Hooker's Bend, Tennessee, \u003cem\u003eBirthright\u003c\/em\u003e follows Peter Siner, a Harvard-educated young man who returns to his Southern hometown and confronts the entrenched prejudices and laws of the post-Reconstruction South. First serialized in \u003cem\u003eCentury Magazine\u003c\/em\u003e in 1921 and issued in book form in 1922, the novel drew notice across the divides of its era and was twice adapted for the screen by the pioneering African American director Oscar Micheaux — as a silent film in 1924 and a sound film at the end of the 1930s. The 1924 silent is now lost.\u003c\/p\u003e\n\u003cp\u003eThe illustrations are by F. Luis Mora (1874–1940), the Uruguayan-born American painter and illustrator — the first Hispanic member of the National Academy of Design, a teacher at the Art Students League, and elder brother of the California artist Jo Mora. An attractive copy of an important novel of the American South.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-095\u003c\/p\u003e","brand":"Stribling, T.S.","offers":[{"title":"Near Fine","offer_id":46459954167969,"sku":"TO-2026-095","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-095_01.jpg?v=1784602488"},{"product_id":"to-2026-100","title":"A Book of Limericks","description":"\u003cp\u003e\u003cstrong\u003eSMALL PRESS CLUB OF MARIN COUNTY. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Book of Limericks.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e. Marin County, California: The Small Press Club of Marin County, 1975. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA genuinely scarce object; no other copies were traced at the time of cataloguing. Of real interest to collectors of California private-press and amateur printing. \u003cmeta charset=\"utf-8\"\u003eSmall oblong volume, 21 leaves. Color relief illustrations. Stiff salmon wrappers with red lettering, brown plastic comb binding.\u003c\/p\u003e\n\u003cp\u003eAn unusual collaborative private-press production: twenty-one leaves of comic limericks, each leaf hand-set and printed by one of the member presses of the Small Press Club of Marin County, gathered into a single volume. Sixteen amateur presses contributed — among them Piping Rock, Sunflower, Frog Prints, Peanut Buddha, Shoestring, Pine Hill, Ampersand, Paradox, Narcissus, Nether-stoned, Figment, Trykkeri, Plant, Gladsome, Olson, and Athena — several printing more than one leaf, so that the book functions as a typographic specimen book of a 1970s Bay Area private-press circle: a survey of types, presswork, and design taste gathered between two covers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-100\u003c\/p\u003e","brand":"Small Press Club of Marin County","offers":[{"title":"Very Good","offer_id":46459954462881,"sku":"TO-2026-100","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-100_01.jpg?v=1784606537"},{"product_id":"to-2026-102","title":"Storyteller","description":"\u003cp\u003e\u003cstrong\u003eSILKO, Leslie Marmon. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStoryteller\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING. \u003c\/strong\u003eNew York: Seaver Books, 1981.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eClothbound (hardcover) issue, in dust jacket. \u003cmeta charset=\"utf-8\"\u003eOblong 8vo. 278 pp. Black-and-white photographic illustrations. Near fine in a near fine dust jacket. Laid in is a separately published critical study — \u003cem\u003eLeslie Marmon Silko\u003c\/em\u003e by Per Seyersted (Boise State University Western Writers Series No. 45), a 50-page staplebound monograph on Silko's work, a useful companion to the volume.\u003c\/p\u003e\n\u003cp\u003eThe book braids Pueblo oral tradition with contemporary autobiographical writing, and its unusual oblong (landscape) format is itself part of the design. Silko (b. 1948) was raised at the Laguna Pueblo in New Mexico, of Laguna, Mexican, and Anglo-American background; \u003cem\u003eStoryteller\u003c\/em\u003e is the fullest statement of the storytelling tradition that runs through all her work. The clothbound issue was printed simultaneously with the paperback and is the scarcer of the two.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-102\u003c\/p\u003e","brand":"Silko, Leslie Marmon","offers":[{"title":"Near Fine","offer_id":46459954528417,"sku":"TO-2026-102","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-102_02.jpg?v=1783745866"},{"product_id":"to-2026-106","title":"Tròpic de Càncer (from Henry Miller's Library)","description":"\u003cp\u003e\u003cstrong\u003eMILLER, Henry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTròpic de Càncer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST CATALAN-LANGUAGE EDITION, FIRST PRINTING.\u003c\/strong\u003e Translated into Catalan by Jordi Arbonès; carrying Anaïs Nin's preface; cover by Santi Pau. Barcelona: Aymà, S. A. Editora, 1976.\u003c\/p\u003e\n\u003cp\u003eSmall octavo. 271 pp. Original pictorial wrappers in the publisher's Tròpics series. Near fine. Laid into this copy is an autograph letter, signed, addressed to Henry Miller (\"Dear Mr. Miller\"); the copy was acquired as coming from Miller's own library.\u003c\/p\u003e\n\u003cp\u003eThe first Catalan translation of Henry Miller's \u003cem\u003eTropic of Cancer\u003c\/em\u003e — the novel first published in Paris by the Obelisk Press in 1934 and barred from the United States until 1961. Jordi Arbonès's version appeared in Barcelona under the Aymà imprint in the period following the end of the Franco regime, when Catalan-language publishing was re-emerging and frank erotic writing was reaching Spanish readers for the first time in decades. The edition carries Anaïs Nin's preface, and Arbonès — one of the major Catalan literary translators of his generation — would render nine of Miller's books into Catalan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-106\u003c\/p\u003e","brand":"Miller, Henry","offers":[{"title":"Near Fine","offer_id":46459954659489,"sku":"TO-2026-106","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-106_01_4620143e-df7f-4abc-b15a-4d277d07e8ec.jpg?v=1783399065"},{"product_id":"to-2026-109","title":"Fortune \u0026 Friendship (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003ePOWELL, Lawrence Clark.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFortune \u0026amp; Friendship: An Autobiography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e New York and London: R. R. Bowker Company, 1968.\u003c\/p\u003e\n\u003cp\u003eOctavo. xiii, 227 pp. Red cloth, gilt lettering to the spine; issued without a dust jacket. Photographic illustrations; index. A fine copy. \u003cmeta charset=\"utf-8\"\u003eSigned by Powell on the front endpaper.\u003c\/p\u003e\n\u003cp\u003eThe autobiography of Lawrence Clark Powell (1906–2001), a central figure of twentieth-century California book culture. \u003cem\u003eFortune \u0026amp; Friendship\u003c\/em\u003e carries Powell through his early life, his apprenticeship in the Los Angeles book trade, and his UCLA career, and is populated by the figures of mid-century California bibliophily — booksellers, collectors, and writers among them Robinson Jeffers, J. Frank Dobie, and Henry Miller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-109\u003c\/p\u003e","brand":"Powell, Lawrence Clark","offers":[{"title":"Fine","offer_id":46459954757793,"sku":"TO-2026-109","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-109_01.jpg?v=1785778270"},{"product_id":"to-2026-116","title":"Laughing Eyes: Letters Between Edward and Cole Weston 1923-1946 (INSCRIBED)","description":"\u003cp\u003e\u003cstrong\u003eWESTON, Paulette.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaughing Eyes: A Book of Letters Between Edward and Cole Weston 1923–1946.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING.\u003c\/strong\u003e Preface by Graham Nash; afterword by Cole Weston. Carmel, California: Carmel Publishing Company, 1999.\u003c\/p\u003e\n\u003cp\u003eInscribed on the half-title by Paulette Weston, \"For John — Keep on Shooting,\" and signed by both Paulette Weston and Cole Weston. Tall octavo. 160 pp. Cloth in the publisher's dust jacket, illustrated throughout with black-and-white photo-reproductions and family memorabilia. A fine copy in a fine dust jacket.\u003c\/p\u003e\n\u003cp\u003eThree decades of correspondence between Edward Weston and his youngest son Cole, gathered and edited by Cole's wife Paulette. The letters span 1923 to 1946, the years in which Edward was producing the Point Lobos, Carmel, and Big Sur work that helped define how the Monterey Peninsula coast was seen, while Cole grew up through the Depression and the war years before joining his father in Carmel in 1946. Compiled by Paulette for Cole's seventy-ninth birthday and brought to print by Carmel Publishing the following year, the book reads as an intimate counterpart to Edward Weston's celebrated \u003cem\u003eDaybooks\u003c\/em\u003e — a frequently absent father working to stay close to his son across long separations. \u003cmeta charset=\"utf-8\"\u003eA natural fit for any California photography or Monterey Peninsula shelf.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-116\u003c\/p\u003e","brand":"Weston, Paulette","offers":[{"title":"Fine","offer_id":46459954987169,"sku":"TO-2026-116","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-116_01.jpg?v=1785772131"},{"product_id":"to-2026-117","title":"The Transmigration of the Seven Brahmans: A Translation from the Harivansa of Langlois","description":"\u003cp\u003e\u003cstrong\u003eTHOREAU, Henry David.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Transmigration of the Seven Brahmans: A Translation from the Harivansa of Langlois.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, TRADE ISSUE.\u003c\/strong\u003e Edited from manuscript, with an introduction and notes by Arthur Christy. Mount Vernon, New York: William Edwin Rudge, 1932. One of 1,000 unnumbered copies on regular paper; preceded by a limited issue of 200 numbered copies on handmade paper dated 1931. Borst A27.1.b; BAL 20155.\u003c\/p\u003e\n\u003cp\u003eQuarto. xx, [2], 30, [1] pp., with the 16-page manuscript facsimile bound in. Cloth spine over paper-covered boards, in the publisher's green printed dust jacket (price $3.50 on the front flap). A fine copy.\u003c\/p\u003e\n\u003cp\u003eThe first printing of a previously unknown Thoreau manuscript — his English rendering of a Sanskrit tale, taken from S. A. Langlois's French translation of the Harivansa (Paris, 1834). The volume reproduces Thoreau's handwritten manuscript leaves in sixteen pages of facsimile, followed by the transcription and the French source, with Christy's introduction setting the translation against Thoreau's lifelong interest in Oriental literature and the ascetic strain in his thought.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-117\u003c\/p\u003e","brand":"Thoreau, Henry David","offers":[{"title":"Very Good","offer_id":46459955019937,"sku":"TO-2026-117","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-117_02.jpg?v=1785777728"},{"product_id":"to-2026-124","title":"Under Scott in Mexico","description":"\u003cp\u003e\u003cstrong\u003eBONEHILL, Captain Ralph [Edward Stratemeyer].\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder Scott in Mexico.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e Boston: Dana Estes \u0026amp; Company, 1902.\u003c\/p\u003e\n\u003cp\u003eOctavo. 287 pp. Eight full-page illustrations by Jo J. Mora, including a frontispiece with tissue guard. Publisher's gray cloth, lettered in black, with a black-and-blue pictorial design of two soldiers on the front cover and a pictorial spine. Copyright Dana Estes \u0026amp; Company; electrotyped and printed by the Colonial Press, Boston. Fading to the spine; light wear to the extremities, more so at the spine ends and lower boards; else a very good copy.\u003c\/p\u003e\n\u003cp\u003e\"Captain Ralph Bonehill\" was one of Edward Stratemeyer's principal personal pseudonyms, used in the years before he founded the Stratemeyer Syndicate in 1905. \u003cem\u003eUnder Scott in Mexico\u003c\/em\u003e is the third and final volume of his Mexican War trilogy, issued by Dana Estes between 1900 and 1902 and set during General Winfield Scott's 1847 campaign in the Mexican–American War, though it stands as a complete story in itself.\u003c\/p\u003e\n\u003cp\u003eThe illustrations are early work by Jo J. Mora (1876–1947), then in his mid-twenties and working in the East as a young illustrator before the Western and California work for which he is now best known. A scarce title, uncommon with the Mora illustrations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-124\u003c\/p\u003e","brand":"Bonehill, Captain Ralph","offers":[{"title":"Very Good","offer_id":46459955249313,"sku":"TO-2026-124","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-124_01.jpg?v=1783398947"},{"product_id":"to-2026-129","title":"Dennis the Menace: Household Hurricane (INSCRIBED)","description":"\u003cp\u003e\u003cstrong\u003eKETCHAM, Hank. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis the Menace: Household Hurricane.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-129\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e New York: Henry Holt and Company, 1957.\u003c\/p\u003e\n\u003cp\u003eInscribed by the author on the front free endpaper \"To Dot \u0026amp; Bill,\" with an original ink drawing in Ketcham's hand — Dennis with a sailboat, asking \"Okay, I'm ready — where's that ol' yacht club?\" — captioned \"...and his poor ol' pooped pop\" and signed \"Hank.\"\u003c\/p\u003e\n\u003cp\u003eKetcham (1920–2001) conceived Dennis the Menace in October 1950, drawing on his own four-year-old son; the strip launched in March 1951 and quickly spread from its syndicated newspaper panels into a run of cartoon books for Henry Holt — \u003cem\u003eDennis the Menace Rides Again\u003c\/em\u003e (1955), \u003cem\u003eWanted: Dennis the Menace\u003c\/em\u003e (1956), and \u003cem\u003eHousehold Hurricane\u003c\/em\u003e (1957), the newest at the time of this inscription. Most surviving Ketcham-signed copies carry a signature only; a copy inscribed and finished with an original Dennis drawing — here a sailboat scene complete with speech balloon and caption — is uncommon, and a genuine piece of original cartoon art on the page.\u003c\/p\u003e\n\u003cp\u003eOctavo. Unpaginated. Black-and-white cartoons throughout. Pictorial glossy illustrated boards. Very good copy.\u003c\/p\u003e","brand":"Ketcham, Hank","offers":[{"title":"Very Good","offer_id":46459955380385,"sku":"TO-2026-129","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-129_01.jpg?v=1783399862"},{"product_id":"to-2026-131","title":"The Wonderful Wizard of Oz (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eBAUM, L. Frank;\u003c\/strong\u003e \u003cstrong\u003eMOSER, Barry (illustrator).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Wonderful Wizard of Oz.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST PRINTING.\u003c\/strong\u003e Berkeley: University of California Press, 1986.\u003c\/p\u003e\n\u003cp\u003eThe University of California Press trade edition of Barry Moser's celebrated Pennyroyal Press interpretation of Baum's 1900 classic — signed by Moser on the title page. Square quarto. 268 pp. Sixty-two wood engravings by Barry Moser. Publisher's cloth with leather spine, in the illustrated dust jacket. Fine in a fine dust jacket.\u003c\/p\u003e\n\u003cp\u003eThe original Pennyroyal edition, printed by Harold McGrath at Moser's press in West Hatfield, Massachusetts, was a 1985 letterpress folio of 350 signed and numbered copies, the wood engravings hand-printed in five colors; this University of California Press trade issue, published the following year, carried Moser's work to a wider readership with the same appreciation by Justin G. Schiller. Moser gives Dorothy's journey a darkly imaginative treatment that departs entirely from W. W. Denslow's familiar first-edition images.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-131\u003c\/p\u003e","brand":"Baum, L. Frank","offers":[{"title":"Fine","offer_id":46459955445921,"sku":"TO-2026-131","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-131_01_928797b7-7928-414e-9b28-e54e10026f2f.jpg?v=1785775385"},{"product_id":"to-2026-135","title":"The Bracero (INSCRIBED)","description":"\u003cp\u003e\u003cstrong\u003eBRUSA, Betty War.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Bracero.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e New York: Pageant Press, Inc., 1966. Illustrated by Vivian Berger.\u003c\/p\u003e\n\u003cp\u003eSmall 4to. 41 pp. Red cloth in the publisher's red and cream pictorial dust jacket. A fine copy in a fine dust jacket with minor wear at the spine head. Inscribed by the author in red ink on the title page: \"To 'My' Hepper Family, with love — Betty (War Brusa).\" Inscribed first editions are uncommon.\u003c\/p\u003e\n\u003cp\u003eA short illustrated novel by a lifelong Salinas Valley resident, telling the story of Diego, a young man who leaves his home in the south of Mexico for the California fields under the Bracero Program. He travels the length of Mexico on foot, by donkey cart, and by bus, arriving in the Salinas Valley expecting \"mistrust and perhaps even hostility\" and finding instead a community more welcoming than he had imagined.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-135\u003c\/p\u003e","brand":"Brusa, Betty War","offers":[{"title":"Fine","offer_id":46459955576993,"sku":"TO-2026-135","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-135_01_639bfb0f-6409-4744-b612-b8f1d0739ee8.jpg?v=1785774933"},{"product_id":"to-2026-139","title":"The Story of Aphid City (SIGNED)","description":"\u003cp\u003e\u003cstrong\u003eTAYLOR, Martin Davis.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Story of Aphid City.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e Portola Valley, CA: published by the author, 1999. Story and drawings by Martin Davis Taylor; retold by Catherine N. Coleman.\u003c\/p\u003e\n\u003cp\u003eOblong 4to, [46] pp., light brown illustrated stiff wrappers. SIGNED and dated \"2000\" by the author in green ink on the title page. Fine condition throughout. Laid in is substantial original material from the author's signing at the Thunderbird Bookshop, The Barnyard, Carmel: six color and black-and-white prints reproducing the author's illustrations; photographs from the event showing the young author with family and with the Carmel cartoonist Gus Arriola (1917–2008), captioned \"THUNDERBIRD JAN. 28, 2001\"; and the printed exhibition announcement for \"Pen and Ink Drawings by Martin Davis Taylor,\" January 30 to February 28, at the Thunderbird Bookstore.\u003c\/p\u003e\n\u003cp\u003eAn extended pen-and-ink fantasia on insect civilization — intricately drawn aphid cities, beetle-drawn carriages, mounted insect knights, and architectural detail rendered with the obsessive specificity of a child entomologist's imagination. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-139\u003c\/p\u003e","brand":"Taylor, Martin Davis","offers":[{"title":"Fine","offer_id":46459955708065,"sku":"TO-2026-139","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-139_01_83995e7c-9885-4614-bae4-7f96495db059.jpg?v=1785811729"},{"product_id":"to-2026-140","title":"Lore of the California Vaquero","description":"\u003cp\u003e\u003cstrong\u003eROJAS, Arnold R.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLore of the California Vaquero.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION.\u003c\/strong\u003e Fresno, California: Academy Library Guild, 1958.\u003c\/p\u003e\n\u003cp\u003e8vo. 162 pp., frontispiece and photographic plates, illustrated throughout. Cloth boards with decorated endpapers, in the publisher's yellow-gold pictorial dust jacket designed by Beltrán; typography, lithography, and binding all credited to Central Valley firms on the copyright page. Dedicated to the range riders of Kern County. A very good copy in a very good dust jacket: boards clean and square, interior clean with no previous-owner marks; jacket with creasing to the upper front panel, scattered light surface and edge wear, the spine panel evenly toned.\u003c\/p\u003e\n\u003cp\u003eThis is Rojas's second book, following \u003cem\u003eCalifornia Vaquero\u003c\/em\u003e (1953); together they anchor his seven-book series documenting the Spanish-Mexican Californio horseman tradition that predated and shaped the broader American cowboy archetype. Rojas writes from inside that world: the bridle horse and the making of a finished rein, the bit and spur and the Spanish-derived language of the trade, the men he rode stirrup to stirrup with, and the lineage he traced back through Mexican California to the mounted traditions of the Old World.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-140\u003c\/p\u003e","brand":"Rojas, Arnold R.","offers":[{"title":"Very Good","offer_id":46459955740833,"sku":"TO-2026-140","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-140_01_bb3f91b0-a6a8-4755-b9b2-9bf4bbac7cf2.jpg?v=1783389600"},{"product_id":"to-2026-141","title":"Call of the House (INSCRIBED)","description":"\u003cp\u003e\u003cstrong\u003eMITCHELL, Ruth Comfort.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCall of the House.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING.\u003c\/strong\u003e New York: D. Appleton and Company, 1927.\u003c\/p\u003e\n\u003cp\u003e8vo. 309 pp. + [2] pp publisher's advertisements. Original green cloth with gilt lettering, in the pictorial color dust jacket; the verso carries an advertisement for Mitchell's previous novel \u003cem\u003eThe Wishing Carpet\u003c\/em\u003e (1926) at $2.00, fixing this as the original first-printing jacket. In a pictorial dust jacket, presented in an archival sleeve; boards clean beneath the jacket, the inscription bright and fully legible.\u003c\/p\u003e\n\u003cp\u003eInscribed by the author on the front free endpaper in blue ink, signed with her married name and place-dated at her Los Gatos home: \"With a Gluck Auf! and every good wish for a happy and successful trip and a quick return to your friends. Faithfully, Ruth Comfort Mitchell Young. Yung See San Fong. May 31st, 1927.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCall of the House\u003c\/em\u003e is set in California political life and centers on Dean Yale, a young woman recruited to run for the state senate by her uncle, a county boss. She wins — then discovers he assumes she will be \"kept in line,\" and the novel turns on her decision to break with him.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-141\u003c\/p\u003e","brand":"Mitchell, Ruth Comfort","offers":[{"title":"Very Good","offer_id":46459955806369,"sku":"TO-2026-141","price":185.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-141_01_0e3cf724-e635-4660-a80c-aaaa98523196.jpg?v=1783389373"},{"product_id":"to-2026-143","title":"The Wayward Bus","description":"\u003cp\u003e\u003cstrong\u003eSTEINBECK, John.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Wayward Bus.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION, FIRST PRINTING.\u003c\/strong\u003e New York: The Viking Press, 1947.\u003c\/p\u003e\n\u003cp\u003e8vo. [viii], 312 pp. Original red-brown cloth, the front board with the title in gilt and a blind-stamped illustration of the bus, spine lettered in gilt; publisher's top stain present. In the original unclipped first-issue dust jacket priced $2.75 on the front flap — the pictorial wraparound design by Robert Hallock, the driver's hands at the wheel on the front and the bus crossing the California hills past a roadside shrine of Our Lady of Guadalupe across to the rear. Goldstone \u0026amp; Payne A23a; first printing of 100,000 copies (Firsts 17:1). Dedicated \"For GWYN\" — Gwyndolyn Conger Steinbeck, the author's second wife; the couple divorced the year after publication. In its original first-issue jacket, protected in an archival sleeve. Book sound, cloth tight, blind-stamped bus and gilt spine bright, internally clean with no previous-owner markings; jacket retains strong color across the front and central composition, the $2.75 price intact and unclipped.\u003c\/p\u003e\n\u003cp\u003eThe story turns on a single day's bus run from the crossroads of Rebel Corners, through floodwater and a washed-out bridge, toward San Juan de la Cruz. Juan Chicoy, half-Mexican and half-Irish, drives the line in a bus he has named Sweetheart; his wife Alice keeps the diner.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-143\u003c\/p\u003e","brand":"Steinbeck, John","offers":[{"title":"Very Good","offer_id":46459955871905,"sku":"TO-2026-143","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-143_01_9bd5be5f-c9d6-481a-a5bc-e53eb1eccda9.jpg?v=1783388729"}],"url":"https:\/\/twoorangesbooks.com\/collections\/100-200.oembed","provider":"Two Oranges Books","version":"1.0","type":"link"}