{"product_id":"to-2026-066","title":"Four Ghost Stories","description":"\u003cp\u003e\u003cstrong\u003eGERSTLE, Sara. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Ghost Stories.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFIRST EDITION\u003c\/strong\u003e, one of 150 copies, this copy hand-numbered 106. San Francisco: Adrian Wilson, Printer at the Sign of the Interplayers, 1951.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e29 pp. Purple wrappers with a white ghost-pattern design. Light fading to the wrappers, else fine. Paperback.\u003c\/p\u003e\n\u003cp\u003eA San Francisco fine-press production by Adrian Wilson (1923–1988), one of the most admired American book designers of the twentieth century — author of the standard reference \u003cem\u003eThe Design of Books\u003c\/em\u003e (1967) and, in 1983, a recipient of a MacArthur Fellowship. This is early work, printed under his \"At the Sign of the Interplayers\" imprint, years before he established his permanent press at One Tuscany Alley in 1959. An attractive connoisseur's piece for a collection of California fine printing. The companion volume, Gerstle's \u003cem\u003eThree Houses\u003c\/em\u003e (1952) — same author, same printer, same 150-copy limitation — is also available.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e TO-2026-066\u003cbr\u003e\u003c\/p\u003e","brand":"Gerstle, Sara","offers":[{"title":"Fine","offer_id":46459952660641,"sku":"TO-2026-066","price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/7001\/0785\/files\/TO-2026-066_01_ccda1710-a0f2-4623-8888-78a82d242aec.jpg?v=1784612696","url":"https:\/\/twoorangesbooks.com\/products\/to-2026-066","provider":"Two Oranges Books","version":"1.0","type":"link"}